Category Archives: Sense and Sensibility

Sense and Sensibility – 1981

I have moved on to Sense and Sensibility. I forgot that I had a copy of the 1971 Sense and Sensibility, so I started with the 1981 version.

Sense and Sensibility 1981

Sense and Sensibility 1981

Like all of these older adaptations, it is not particularly beautiful, but this one at least has outdoor scenes. It consists of 7 episodes – each 30 minutes long – and it is quite faithful to the novel (they do get rid of Margaret Dashwood).

Marianne (left) and Elinor

Marianne (left) and Elinor

I thought Irene Richard’s Elinor was great, but Tracy Childs over-enunciated as Marianne (she had obviously had elocution lessons).

Edward Ferras

Edward Ferras

MrWill

Mr Willoughby

Colonel Brandon

Colonel Brandon

Robert Swann was a great Colonel Brandon, but Alan Rickman is always going to be the definitive Colonel Brandon.

Lucy Steele

Lucy Steele

Mrs John Dashwood (on learning of Lucy's engagement to Edward)

Mrs John Dashwood (on learning of Lucy’s engagement to Edward)

This was a good adaptation, but there is better available now. It is probably only for the die-hard Jane Austen fans.

More reviews …

Sense and Sensibility Movie (1981) – A Review

http://felicelog.blogspot.com.au/2011/08/sense-and-sensibility-1981-review.html

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Sense and Sensibility 1971

Sense and Sensibility 1971

Sense and Sensibility 1971

I didn’t know about the existence of this adaptation until someone mentioned it in passing at one of our meetings. Of course I decided I must see it.

This is very much ‘old school’ BBC adaptation – filmed on a sound stage with theater actors who feel that they have to act to the back row (or maybe that was how they were directed?). Anyway, if you didn’t like this version of Emma or this Mansfield Park then I suspect you won’t like this version of Sense and Sensibility.

What I don’t understand with adaptations is why the screen writer changes the dialogue? This one is quite close to the novel action wise, but rarely uses Austen’s dialogue (although I am pretty sure Elinor wouldn’t visit Edward at his lodgings!).

The best part of this adaptation was Joanna David as Elinor (she was Mrs Gardiner in the 1995 Pride and Prejudice) and Patricia Routledge (Mrs Bucket – in Keeping Up Appearances) as Mrs Jennings.

The hair styles are hilarious (or horrendous) depending on your sensibilities …

 

Elinor (in the foreground), Marianne and Mrs Dashwood

Elinor (in the foreground), Marianne and Mrs Dashwood

Edward Ferras

Edward Ferras

 

Willoughby

Willoughby

Colonel Brandon

Colonel Brandon

Mrs Jennings (on the right) and Mrs Dashwood

Mrs Jennings (on the right) and Mrs Dashwood

I think this one is really only for die-hard Jane Austen fans or people interested in film history.

 

 

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Sense and Sensibility – JoannaTrollope

Sense and Sensibility - Joanna Trollope

Sense and Sensibility – Joanna Trollope

This is the first of the Austen Project novels.

Here is the blurb …

From one of the most insightful chroniclers of family life working in fiction today comes a contemporary retelling of Jane Austen’s classic novel of love, money, and two very different sisters

John Dashwood promised his dying father that he would take care of his half sisters. But his wife, Fanny, has no desire to share their newly inherited estate with Belle Dashwood’s daughters. When she descends upon Norland Park with her Romanian nanny and her mood boards, the three Dashwood girls-Elinor, Marianne, and Margaret-are suddenly faced with the cruelties of life without their father, their home, or their money.

As they come to terms with life without the status of their country house, the protection of the family name, or the comfort of an inheritance, Elinor and Marianne are confronted by the cold hard reality of a world where people’s attitudes can change as drastically as their circumstances.

With her sparkling wit, Joanna Trollope casts a clever, satirical eye on the tales of Elinor and Marianne Dashwood. Reimagining Sense and Sensibility in a fresh, modern new light, she spins the novel’s romance, bonnets, and betrothals into a wonderfully witty coming-of-age story about the stuff that really makes the the world go around. For when it comes to money, some things never change.

This is a very faithful modernisation of the novel. All of the big events are present – losing Norland, moving to Devonshire, meeting Willoughby (who seems to be some sort of high end estate agent), Marianne almost dying (in this version she has asthma). What I have realised is how tricky it is to modernise Austen. Sex before marriage is completely acceptable, so for Willoughby to be  a cad he had to do something else and that something was drugs.

The characters are similar to Austen – Elinor (stoic and self – sacrificing), Marianne (still a drama queen). Edward (as wishy washy as ever), Fanny (more obviously mean in this one or perhaps just less polite),etc. Margaret is more fleshed out – quite the surly teenager. Bel (the mother – we can’t call her Mrs Dashwood because they weren’t married) is not how I think of Austen’s Mrs Dashwood. This one seems scatty and self-centred.

The flaw in trying to modernise Austen is the helpless women. Women are not helpless now days, so Bel should stop being flighty and go and get a job to support her children.

While I have been reading this I have been reading Sense and Sensibility to my daughters and I have enjoyed the comparison. It follows the plot, doesn’t add any characters or remove any plus there is a chance Marianne might escape Colonel Brandon! There is a hint of future romance, but they don’t end the novel married.

I can’t say this novel will appeal to all Austen fans, but I am glad that I read it and I shall read the next Austen Project installment, which I think is Northanger Abbey.

More reviews

http://austenblog.com/2013/11/10/review-sense-and-sensibility-2013-rewrite-by-joanna-trollope/

http://www.telegraph.co.uk/culture/books/fictionreviews/10397718/Sense-and-Sensibility-by-Joanna-Trollope-review.html

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From Prada to Nada

From Prada to Nada

From Prada to Nada

 

This was in the discount bin at JBHIFI and I definitely thought it was worth buying.

It is a modern retelling of Sense and Sensibility. This is from Wikipedia …

From Prada to Nada is an American romantic comedy film directed by Angel Garcia and produced by Gary Gilbert, Linda McDonough, Gigi Pritzker and Chris Ranta. The plot was conceived from Jane Austen’s Sense and Sensibility.[2] The screen play was adapted by Luis Alfaro, Craig Fernandez and Fina Torres to be a Latino version of the English novel, where two spoiled sisters who have been left penniless after their father’s sudden death are forced to move in with their estranged aunt in East Los Angeles.

 I enjoyed it – it is light and entertaining (focussing on the romantic aspects of Austen). I didn’t find the romance between Edward and Nora (the Elinor character) to be very convincing – she had a ten year plan and was focused on her career because she felt (after both her parents had died) that was all she could count on and so rejected Edward’s advances (the Lucy character comes later).  The Mary (Marianne character) was probably handled a bit better – although Mary herself is an idle snob. The setting worked well – Beverley Hills to East LA is as big a shift as Norland to Barton Cottage.

It is probably not as good as Clueless (a modern retelling of Emma), but worth watching if you come across it while renting a DVD of perusing the TV Guide (i.e. don’t buy it).

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Sense and Sensibility 2008

I think this is my favourite Sense and Sensibility adaptation. I think Hattie Morahan is an excellent Elinor and Edward Ferrars, as played by Dan Stevens, isn’t drippy (you can understand why Elinor loves him). In fact, the male heroes (Brandon and Edward Ferrars) are both more appealing in this version. We get to see more of them and more emotional involvement. Andrew Davies tends to do this with most of his adaptations (think of Darcy diving into the lake).

It starts with Willoughby seducing Eliza – although we don’t know that at first. More astute viewers might recognise him later (and realise that he is a cad).

In this version Colonel Brandon and Marianne have a bit of a connection prior to Willoughby arriving on the scene – he lends her music and turns pages while she plays it.

There is also a scene where Brandon asks Willoughby about his intentions – are they honourable?

This production is beautiful – the costumes, locations etc are just stunning.

First view of Barton Cottage

Elinor, Marianne and Mrs Dashwood

Willoughby rescuing Marianne

Edward Ferrars chopping wood

Lucy and Anne Steele

Elinor and Lucy

Colonel Brandon and Marianne

Elinor and Edward

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Sense and Sensibility 1995 – The Emma Thompson One

I’ve been re-watching the 1995 Sense and Sensibility. I do like this adaptation. My only issue is Emma Thompson as Elinor. I think she is a brilliant actress (and her screen play is fabulous), but she is just a bit too old for Elinor.

While I was watching it I tried to keep track of differences between the novel and the movie.

First, Lady Middleton and her children are absent! As is Anne Steele (Lucy’s older sister).

Lucy travels to London (and stays with them) with Mrs Jennings and the Dashwoods.

Probably the biggest difference is the lack of a final meeting between Elinor and Willoughby. You know the one, he comes from London in a day to hear about Marianne and tries to explain himself to Elinor and she forgives him.

This is still a fabulous adaptation – it’s movie length you can’t fit everything in – the costumes and settings are beautiful and the acting superb. And did this one renew interest in Jane Austen films? There was quite a few adaptations around the same time.

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Sense and Sensibility

I’ve created a Sense and Sensibility Cross Word. Once again, I didn’t know how to insert it into my blog post, so I’ve just linked to it. There are some easy and hard questions (What is Lady Middleton’s first name?)

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Sense and Sensibility – Colonel Brandon

I’m still listening to Sense and Sensibility. Despite Colonel Brandon being a true gentleman, I can not reconcile myself to Marianne marrying him.

Here is the relevant bit in the novel …

 Elinor’s marriage divided her as little from her family as could well be contrived, without rendering the cottage at Barton entirely useless, for her mother and sisters spent much more than half their time with her. Mrs. Dashwood was acting on motives of policy as well as pleasure in the frequency of her visits at Delaford; for her wish of bringing Marianne and Colonel Brandon together was hardly less earnest, though rather more liberal than what John had expressed. It was now her darling object. Precious as was the company of her daughter to her, she desired nothing so much as to give up its constant enjoyment to her valued friend; and to see Marianne settled at the Mansion-house was equally the wish of Edward and Elinor. They each felt his sorrows and their own obligations, and Marianne, by general consent, was to be the reward of all.

With such a confederacy against her — with a knowledge so intimate of his goodness — with a conviction of his fond attachment to herself, which at last, though long after it was observable to everybody else, burst on her — what could she do?

Marianne Dashwood was born to an extraordinary fate. She was born to discover the falsehood of her own opinions, and to counteract, by her conduct, her most favourite maxims. She was born to overcome an affection formed so late in life as at seventeen, and with no sentiment superior to strong esteem and lively friendship, voluntarily to give her hand to another! — and that other, a man who had suffered no less than herself under the event of a former attachment, — whom, two years before, she had considered too old to be married, — and who still sought the constitutional safeguard of a flannel waistcoat!

But so it was. Instead of falling a sacrifice to an irresistible passion, as once she had fondly flattered herself with expecting, — instead of remaining even for ever with her mother, and finding her only pleasures in retirement and study, as afterwards in her more calm and sober judgment she had determined on, — she found herself, at nineteen, submitting to new attachments, entering on new duties, placed in a new home, a wife, the mistress of a family, and the patroness of a village.

Colonel Brandon was now as happy as all those who best loved him believed he deserved to be; — in Marianne he was consoled for every past affliction; — her regard and her society restored his mind to animation, and his spirits to cheerfulness; and that Marianne found her own happiness in forming his, was equally the persuasion and delight of each observing friend. Marianne could never love by halves; and her whole heart became, in time, as much devoted to her husband, as it had once been to Willoughby.

I’m not convinced. With no sentiment superior to strong esteem and lively friendship, voluntary to give her hand to another!

There is this final statement Marianne could never love by halves; and her whole heart became, in time, as much devoted to her husband, as it had once been to Willoughby, so I know they will be happy, but I can’t understand Marianne marrying him in the first place.

Any thoughts?

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Sense and Sensibility – Mr Willoughby

Austen definitely had a soft spot for Mr Willoughby – we almost feel sorry for him at the end. Despite seducing Eliza, abandoning Marianne and marrying Miss Grey for her money.

Here is the end of the final meeting of Elinor and Mr Willoughby

  He held out his hand. She could not refuse to give him hers; he pressed it with affection.

“And you do think something better of me than you did?” said he, letting it fall, and leaning against the mantlepiece, as if forgetting he was to go.

Elinor assured him that she did; that she forgave, pitied, wished him well — was even interested in his happiness — and added some gentle counsel as to the behaviour most likely to promote it.

Come to think of it, we feel sympathy for Henry Crawford too.

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Sense and Sensibility

I’m re-reading Sense and Sensibility (well listening to it – this version) and I had forgotten how much I enjoy it.

Here’s a quote …

‘A women of seven and twenty,’ said Marianne, after pausing a moment,’can never hope to feel or inspire affection again …’

I wonder how Anne Elliot feels about that?

Here is an image from a BBC adaptation (the 1981 one)

Marianne is being rescued by Willoughby.

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